Balogh's Noh-song premiered by Ryoko Aoki

Since 2010, renowned Noh-singer, Ryoko Aoki, has organized Noh × Contemporary Music to commission international composers to write new pieces for Noh voice. In this year’s project, Máté Balogh’s composition, Matsuo Basho’s Song was among the commissioned works that were premiered on 14 May 2021 in Tokyo.
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Welcome to the new website of UMP Editio Musica Budapest

We are pleased to announce that our new website is now live. The site has been refreshed to support you even better in exploring our partners and products, and to adjust with the websites of other houses of UMP Classical.

This launch is only the start. The work will be continued to improve and develop our site so that you may always find what you are looking for.

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Hesperus by Bella in Budapest

In 2017, Máté Bella composed his work Hesperus for viola and ensemble. The work was commissioned by the Ensemble Intercontemporaine and premiered on 16 February 2019 on French Radio. On May 18, Péter Bársony will be the soloist of the Hungarian premiere at the Budapest Music Center, the UMZE ensemble will be conducted by Gregory Vajda. We asked the composer on the occasion of this coming performance.

What kind of compositional ideas have you realized in Hesperus?

This piece is the third one in a series: First, Chuang Tzu’s Dream was written for cello and ensemble, then came Trance for violin and ensemble, and finally, Hesperus for viola and ensemble joined them.

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New recordings of works by Farkas and Kurtág

Recent months’ releases include selections of solo and chamber works by Ferenc Farkas and his former student, György Kurtág, published by UMP Editio Musica Budapest, performed by excellent musicians.

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On the Centenary of András Szőllősy

"The third master" - his faithful monographer, János Kárpáti used this epithet on András Szőllősy who was born on February 27, 1921, a hundred years ago. He was the third beside György Ligeti and György Kurtág, who were all born in Transylvania in the 1920s, and then graduated from the Budapest Academy of Music - that is, he was the third behind his world-famous colleagues and friends.

Szőllősy’s oeuvre is thin, consisting of barely thirty compositions, mostly from the 1970s and 1980s, followed by a few “autumn flowers” until 2002. The late start of the career is explained by the fact that although Szőllősy studied composition as a student of Zoltán Kodály, he felt more like a musicologist until the mid-1960s, collecting and editing the works and writings of his great predecessors, Béla Kodály and Bartók. (his Sz-numbers are still used to identify Bartók's works).

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